I coordinated my reading of Metropolis with listening to the episodes of The Tides of History about the rise of civilization and Uruk, the first city in Mesopotamia. Only the first chapter of Metropolis is about Uruk, but the podcast gave me structure of: what does civilization mean? What makes a city possible? Spoiler: a certain degree of wealth; often, religion is involved; and some sort of organization to coordinate activities.

Metropolis grazes over 6500 years of human history, from the founding of Uruk to the modern day – Covid-19 even makes its way into the introduction. Each era of human history is looked at through the focus of the city and what the city meant to that era of history. For example, for the Roman era, the book focuses on bathhouses, because they’re a stand-in for the engineering feats that were needed to get the plumbing in place, but they also signify how Roman culture evolved from the non-bathhouse-having hard-nosed citizens of the early republic to the more decadent subjects of the late empire.

The cities profiled are all over the world, too. While history tends to focus on European cities – and there’s a lot of Europe in here – Metropolis is doing its best to bring in cities from around the world: Baghdad, Malacca, Tenochtitlan, and Lagos to name a few. (It gets bonus points for making you really detest the combination of ignorance and superiority complex of the conquistadors.)

I’m personally a fan of cities. I like their energy and creativity and the way that they bring people together and make things happen in a way that being out in the country, or even in suburbia just doesn’t. Metropolis really captured that for me; I would definitely recommend it.